Author Archives: Voider

About Voider

http://thevoider.wordpress.com/

G for

Girl/GOD Nana fidgeted a bit and then looked out of the window carefully, with “grace”. She was aware that he was watching her. Her body absorbed his imaginary gaze. Sensing and filling the space to match his expectation of her.

G for

Girl/GOD Nana fidgeted a bit and then looked out of the window carefully, with “grace”. She was aware that he was watching her. Her body absorbed his imaginary gaze. Sensing and filling the space to match his expectation of her.

F for

Foramen *** Break the fossa ovalis and you break the heart. The heart is a binary form with two distinct sides: oxygen-free blood moves into the right atrium, then out again to the lungs where it is oxygenated and returns

F for

Foramen *** Break the fossa ovalis and you break the heart. The heart is a binary form with two distinct sides: oxygen-free blood moves into the right atrium, then out again to the lungs where it is oxygenated and returns

Hole 3 and Transcendental Miserablism: It is Right to Revolt Against the Phallus. A conversation between Justin Lieberman and Nino Bozic

The performance Hole 3 : One Divides, by Colleen Asper and Marika Kandelaki took place on July 28th 2012 in the back garden of 147 Halsey St. in Brooklyn, NY at 7 pm. A small crowd of writers, artists, and

Hole 3 and Transcendental Miserablism: It is Right to Revolt Against the Phallus. A conversation between Justin Lieberman and Nino Bozic

The performance Hole 3 : One Divides, by Colleen Asper and Marika Kandelaki took place on July 28th 2012 in the back garden of 147 Halsey St. in Brooklyn, NY at 7 pm. A small crowd of writers, artists, and

E for

Eyelet ***  Ghost heard two philosophers talking about the soul. One philosopher asked the other to imagine waking up and seeing the room in which he had fallen asleep and then looking down and not seeing his body. The ease

E for

Eyelet ***  Ghost heard two philosophers talking about the soul. One philosopher asked the other to imagine waking up and seeing the room in which he had fallen asleep and then looking down and not seeing his body. The ease

D for

Deathbed *** Letters to ∅. From the deathbed *** Dear ∅, The days are passing in stillness here. The condition worsens. Sometimes I feel like the ingrowth is hollowed, but then it deepens again. The extraction gets harder with each

D for

Deathbed *** Letters to ∅. From the deathbed *** Dear ∅, The days are passing in stillness here. The condition worsens. Sometimes I feel like the ingrowth is hollowed, but then it deepens again. The extraction gets harder with each

C for

Cave * * * Act 1: {∅, S(∅), S(S(∅)), S(S(S(∅))), …..}   Setting: Brightly lit stage. A man enters, stepping slowly. With a miserable sigh he faces the audience (which we can’t see because the stage is so brightly lit).

C for

Cave * * * Act 1: {∅, S(∅), S(S(∅)), S(S(S(∅))), …..}   Setting: Brightly lit stage. A man enters, stepping slowly. With a miserable sigh he faces the audience (which we can’t see because the stage is so brightly lit).

B for

BBrreeaackh * * * Imagining that he could be seeing me through the window, I stand up straighter and finally call. Jennifer was bleeding. Eight arms were embracing her. The embraces were accelerating. It hurt. It was a hug and

B for

BBrreeaackh * * * Imagining that he could be seeing me through the window, I stand up straighter and finally call. Jennifer was bleeding. Eight arms were embracing her. The embraces were accelerating. It hurt. It was a hug and

A for

Aperture * * * Anna walked down the sidewalk of the strip mall again. Cost Cutters, LensCrafters, Jo-ann Fabric: she had one hour till the film she had dropped off was developed but her hair was trim, her eyesight flawless, and

A for

Aperture * * * Anna walked down the sidewalk of the strip mall again. Cost Cutters, LensCrafters, Jo-ann Fabric: she had one hour till the film she had dropped off was developed but her hair was trim, her eyesight flawless, and

La Perversita: Introduction

i. Phallus fears division. Vulnerability is contradictory to its wholesome being. Every division is a reminder of its own nonexistence and it shrieks and growls in fury at every indication that it too is not whole. It grows bigger and

La Perversita: Introduction

i. Phallus fears division. Vulnerability is contradictory to its wholesome being. Every division is a reminder of its own nonexistence and it shrieks and growls in fury at every indication that it too is not whole. It grows bigger and

Hole 3: One Divides

The true contrary of black is not white. It is grey, patriarchal society—of which woman, as the antagonistic pole, is a notorious element. The famous contradiction of man/woman is a limited structural scheme that remains within the bounds of Western

Hole 3: One Divides

The true contrary of black is not white. It is grey, patriarchal society—of which woman, as the antagonistic pole, is a notorious element. The famous contradiction of man/woman is a limited structural scheme that remains within the bounds of Western